Selenic Raindrops — Improvisation in G Dorian ♭2, G Dorian, G Phrygian & D Mixolydian ♭6

2 comments on Selenic Raindrops — Improvisation in G Dorian ♭2, G Dorian, G Phrygian & D Mixolydian ♭6

In this video you can hear me playing an improvised piece of piano music which I named Selenic Raindrops. In certain contexts, the word “selenic” relates to the moon, which is what inspired my choice of title. Whilst improvising this music I found myself inhabiting a nocturnal and luminescent imaginary space, and following mysterious and unforeseeable shifts, like following a night rainstorm which is sometimes gentle and cleansing, sometimes intense with kinetic energy, and sometimes there is a spacious clearing.

Selenic Raindrops – recorded 20th July 2026

In this improvisation, I was drawn to the silvery, midnight darkness of the G Dorian flat 2 mode, with the shaded weight of its downward turning Phrygian flattened 2nd degree alongside the light of its major 6th — hence its alternative name — the Phrygian natural 6 mode. 

The G Dorian mode added a cool light and paradoxical gentle warmth in its melancholy minor 3rd and lifted major 6th. It was less dark than the G Dorian flat 2 mode due to its major 2nd. 

The nocturnal shadows of the G Phrygian mode were also found within a Phrygian flattened 2nd (hence its name), alongside the dark minor 3rd, 6th and 7th.

The magical twilight of the D Mixolydian flat 6 mode was created by its hybrid major-minor sound — the major 3rd degree along with the minor 6th and 7th. 

Mode Table

Mode UsedNote NamesParent ScaleModal Relationship
G Dorian ♭2G – A♭ – B♭ – C – D – E – FF Melodic Minor2nd Mode
G DorianG – A – B♭ – C – D – E – FF Major2nd Mode
G PhrygianG – A♭ – B♭ – C – D – E♭ – FE♭ Major3rd Mode
D Mixolydian ♭6D – E – F♯ – G – A – B♭ – CG Melodic Minor5th Mode

Interval Formulas

Dorian ♭2 Mode Formula:

1 – ♭2 – ♭3 – 4 – 5 – 6 – ♭7

(Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th)

Dorian Mode Formula:

1 – 2 – ♭3 – 4 – 5 – 6 – ♭7

(Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th)

Phrygian Mode Formula:

1 – ♭2 – ♭3 – 4 – 5 – ♭6 – ♭7

(Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th)

Mixolydian ♭6 Mode Formula:

1 – 2 – 3 – 4 – 5 – ♭6 – ♭7

(Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th)

Further Reading and Listening

Learn more about modes here: Complete Guide to Modes of the Major, Melodic Minor, and Harmonic Minor Scales


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My regular piano improvisation recordings are automatically scheduled and published here on my blog every Monday, Wednesday, Friday and Sunday. Each recording is a raw, unedited exploration of musical self-expression. Music often holds up a mirror to our inner worlds; what emotions or imagery arise for you as you listen?

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2 responses to “Selenic Raindrops — Improvisation in G Dorian ♭2, G Dorian, G Phrygian & D Mixolydian ♭6”

  1. vermavkv avatar

    What a mesmerizing piece of musical imagination! 🎹🌙 Selenic Raindrops feels like far more than an improvisation—it sounds like a journey through a moonlit landscape where darkness, light, rain, and silence continually transform one another.

    I was especially fascinated by how you connected the music to the mysterious qualities of the night rainstorm: sometimes gentle and cleansing, sometimes charged with kinetic energy, and then suddenly opening into spacious stillness. That imagery gives the listener a wonderful way to enter the music before even hearing a note.

    1. Ruth Pheasant avatar

      Thank you so much, I’m really glad it resonated for you 🌙

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