As with all my improvisations, this was created in real time, whilst recording – literally making it up as I go along.

This new improvisation grew out of a chord sequence I started exploring this morning — moving between the two modes A Dorian and F major (F Ionian). The contrasts between these two sound worlds really resonated for me, which was why I decided to explore their juxtaposition: the Dorian sections seem to have a folk-like, searching quality, while the F major passages open into something more nostalgic and hymn-like.

A Dorian and F major are two unrelated keys, but together, they form a frame that feels both familiar and surprising — blending elements of folk, pop ballad, and film score harmony into a personal, spontaneous soundscape.

You can learn more about the Dorian mode here: Dorian Mode Explained: Complete Guide with Note Names in All 12 Keys

You can learn more about major keys (Ionian) here.

The texture is simple but has movement: steady octaves in the left hand, while the right hand alternates between broken chord figures, block chords, and melodies voiced through the top notes. The improvisation begins with the Dorian section, moves through F major, cycles, and returns, evolving into a more chordal and hymn-like close.
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Although it ends in a major key, the effect feels bittersweet — like a memory of something joyful now tinged with loss. The mood reminded me of the way film music often combines simplicity with deep emotional pull, which may be what inspired the structure I spontaneously formed.

Another improvisation of mine that uses the Dorian mode, but within a more complex texture and harmonies is this: Sospirando e Sospeso — Improvisation in D Dorian ♯4 & B Dorian

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Or Triptych in B♭  – Improvisation in B♭ Mixolydian ♭6 and Dorian

If you want to understand more about how modes work, read my article here.