Camellia — Improvisation in E♭ Mixolydian, F Phrygian & C Aeolian

2 comments on Camellia — Improvisation in E♭ Mixolydian, F Phrygian & C Aeolian

Here is a video in which you can hear me playing a piece of music I improvised and named Camellia. In various traditions, the camellia flower represents a number of things from longing to acceptance. It is these two seemingly paradoxical colours that I felt were being carried by the bittersweet peacefulness combined with sorrow, light and shadow of the modes I used. The camellia blooms in shade, in the dead of winter or early spring, in all its frozen darkness, symbolising resilience. The flowers drop onto the ground, whole and unbroken, symbolising integrity and strength. The journey that the three modes took me on in this improvisation felt like the shaded and yet hopeful swirling layers of the camellia flower.

Camellia – recorded 6th July 2026

I started and finished this improvisation in E flat Mixolydian, whose flattened 7th softens the usual leading note of the major scale, resulting in a gentle acceptance, as opposed to the strong gravitational pull towards resolution found in the major scale. The melancholy of that minor 7th combined with the hopefulness of the major 3rd can sound like bittersweet yearning to my ear. 

F Phrygian darkened the overriding colour of the music, like the shade that the camellia thrives in, or the darkness of winter. 

C Aeolian (aka natural minor) is mournful in its minor sound, but with hope and light in its major quality chord built on the submediant. This reminded me of the vibrance of the flowers shining through the cold ache of winter.  

Modal Analysis Table

Mode UsedNote NamesParent ScaleModal Relationship
E♭ MixolydianE♭, F, G, A♭, B♭, C, D♭A♭ Major5th mode of A♭ Major
F PhrygianF, G♭, A♭, B♭, C, D♭, E♭D♭ Major3rd mode of D♭ Major
C Aeolian (Natural Minor)C, D, E♭, F, G, A♭, B♭E♭ Major6th mode of E♭ Major

Interval Formulas

Mixolydian Mode Formula

1 – 2 – 3 – 4 – 5 – 6 – ♭7

(Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th)

Phrygian Mode Formula

1 – ♭2 – ♭3 – 4 – 5 – ♭6 – ♭7

(Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th)

Aeolian Mode Formula

1 – 2 – ♭3 – 4 – 5 – ♭6 – ♭7

(Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th)

Further Reading and Listening

Learn more about modes here: Complete Guide to Modes of the Major, Melodic Minor, and Harmonic Minor Scales


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My regular piano improvisation recordings are automatically scheduled and published here on my blog every Monday, Wednesday, Friday and Sunday. Each recording is a raw, unedited exploration of musical self-expression. Music often holds up a mirror to our inner worlds; what emotions or imagery arise for you as you listen?

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2 responses to “Camellia — Improvisation in E♭ Mixolydian, F Phrygian & C Aeolian”

  1. vermavkv avatar

    What a beautifully thoughtful and evocative composition. 🌺 Your description of Camellia adds such depth to the listening experience, revealing how each mode paints its own emotional landscape. I especially loved the symbolism of the camellia blooming through winter—an inspiring image of resilience, hope, and quiet strength. Your musical journey through Mixolydian, Phrygian, and Aeolian feels like a graceful dialogue between light and shadow, longing and acceptance. Thank you for sharing not only your music but also the inspiration and insight behind it. It is a truly moving artistic expression. 🎶🌹

    1. Ruth Pheasant avatar

      Thank you so much for your kind words, I’m so glad it resonated 🌺

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